Viewing Room Main Site
Skip to content

Anna Glantz

Stones For Sandman

December 8, 2016 – January 15, 2017

Anna Glantz Rabid Girl

Anna Glantz
Rabid Girl
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 7

Anna Glantz Arnolfini

Anna Glantz
Arnolfini
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 4

Anna Glantz Lotiform

Anna Glantz
Lotiform
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 9

Anna Glantz Retrovertigo

Anna Glantz
Retrovertigo
2016
Oil on canvas
70 x 55 inches (177.8 x 139.7 cm)
AGl 10

Anna Glantz Horned Self-Portrait

Anna Glantz
Horned Self-Portrait
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 3

Anna Glantz Polar Bath

Anna Glantz
Polar Bath
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 8

Anna Glantz Britney's Season

Anna Glantz
Britney's Season
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 6

Anna Glantz Mike Kelley Winter

Anna Glantz
Mike Kelley Winter
2016
Oil on canvas
70 x 55 inches (177.8 x 139.7 cm)
AGl 12

Anna Glantz Chanteuse

Anna Glantz
Chanteuse
2016
Oil on canvas
70 x 47 inches (177.8 x 119.38 cm)
AGl 5

ANNA GLANTZ
STONES FOR SANDMAN
December 8, 2016 – January 15, 2017 

 

“From my little chamber I could hear how he entered my father's room, and then it was that I seemed to detect a thin vapor with a singular odor spreading through the house. Stronger and stronger, with my curiosity, grew my resolution somehow to make the Sandman's acquaintance.”

(E.T.A. Hoffmann, The Sandman)
 

This suite of paintings read as enclosures for worried fables, walled up by henges built from faux bricks, soapstones, and desiccated wood. As though reassembled by some benevolent tornado, scale, atmosphere, and volume have all been altered but remain intact: pillows seem heavy with clay dust, cornucopia horns have upended releasing sinkholes instead of fruits, while the phantoms of Mike Kelley and a 15th century noble stare out from starburst abstractions.

 

Monikers for the transformative effects of prolonged emotional states; eel-faced mannequins, patinated goblets, and a knowing tabby cat, lead us like false guides through a labyrinth, confidently showing the way while glancing down at a broken compass.                                                                                                                                                     

 

– Owen Westberg

 

11R is pleased to present a solo exhibition of paintings by Anna Glantz, on view from December 8, 2016 – January 15, 2017 at 195 Chrystie Street.

 

Anna Glantz  (born 1989) currently lives and works in Queens, NY. She holds a BA of Art and Linguistics from University of California, Los Angeles and a MFA in Visual Arts from Columbia University. Selected group exhibitions include: Intimisms, James Cohan, New York, NY; Daydream from 2013, CANADA, New York, NY; and I Am Silver, Foxy Production, New York, NY.