The catalogue focuses on eight works on paper executed in 1973 that have never been shown before and as art historian and critic Phyllis Tuchman writes in her essay, “are revelatory about a direction McLaughlin’s art might have been taking.” Numbered consecutively and made of construction paper and Scotch tape, the collages, or what McLaughlin termed ‘constructions,’ resemble compositions that closely hewed to his paintings.
Softcover: 16 pages
Essay by Phyllis Tuchman
ISBN:978-0-9908058-9-2
$20